![]() Originally, Taupin wanted to write Candle in the Wind about Clift, who he thought "was such a cool cowboy" in The Misfits, and who also died at a young age about four years after Monroe. But it was the one song that we went, 'Yeah, this is the direction we should be going in.'" Then we wrote this song called Skyline Pigeon. It was our kind of blue touchpaper, it gave us some notoriety…. "The first single that we ever put out was an atrocious piece of middle of the road crap, and then after that, we wrote a song called Lady Samantha, which the BBC kind of took to. "And then, obviously, you know, Reg Dwight became Elton John and we started making records," Taupin recalls. When the producer Steve Brown came to Dick James Music, he told Taupin and John they should "forget this middle of the road crap" and to start writing for themselves. But at the same time, you know, we were experimenting on the side with a different kind of music." The first single that we ever put out was an atrocious piece of middle of the road crap. We were signed to to write songs for middle of the road artists who were current at the time … and we were trying to do that in order to just make our paycheque every week. "In the early, early days when we first got together, we were sort of torn between two worlds because this was Reg Dwight before he became Elton John. "That would be a song called Skyline Pigeon, which was on our very first album, Empty Sky," he says. But what was the first song they wrote that made Taupin think they had something together? Taupin and John have an interesting creative process, where the former writes the lyrics and the latter writes the music, often in separate rooms. ![]() On the first song he wrote with John that made him feel they had something special
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